Painting Project with Young Boys

A city always takes its own course & changes through time. Some changes are not really desirable, and they make deeper impressions in our hearts. In this materialistic civilization, changes occur without taking much into consideration the needs of the people at large. In the name of modernization, we often become witnesses to changes that annul one’s love for another, bin tradition & pollute environment pushing them into the back seat. Subsequently, in our minds we continue to rediscover the deep emotions attached to all these, sifting through the pages of memory, tracking the changes that left a deep impression.

Impressions are left in all, but it is in the young hearts that their marks are more visible. In this project I collaborated with students of Dhaka Muslim Government High School to find a common ground. The backgrounds of my art works consist of digitally manipulated photos & they represent the status quo. With the dotted images I wanted to connect the artistic world to the real world where instability, frustration thrive as reality continuously makes its incursions into our privately constructed worlds making us look dwarflike in front of the power & its tools of hegemony. The modernized techno-human turns into a virtual entity compared to the homo sapiens of flesh & blood. Capital & its systematic onslaughts on human society where once we were united to ensure that the greater goals of humanity are achieved by connecting to one another.

Over an infant’s crying face, when students began to draw, they simply followed no rules. They freely chose their subject matters – from a basket of food to scenes from the wars waged on different countries & also wars that has been brought on by spurious claims & by imperial design, as was the case in Palestine, the state that is now divided following the Balfour Declaration. However, war for children is just plain evil – a parasite that destroys everything.

War stands in contrast to humanity, memory stands in contrast to unwanted changes, and all these are a way for artists to voice their dissent. This project using the face of a baby is not only an interactive space but also an ongoing artistic endeavor – one that directly addresses the urban, social, global issue of change that never benefits the people & their environment.  

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Afflicting the myths with radical interfacing

The complication of sourcing common myths & legends are typically sailed inside the type of textual complication as well as splendor of expression while it unpacks a sinuous tale that explains to myths in different psychosocial degrees, on occasion evoking the aboriginal with humans. In its exhaustive dig, nature that often is situated latent throughout all of us is summoned to reply for you to the archetypes of that misguided beliefs are a depository. The responsive procedure that works in place the homo head to the stage of stupor or maybe call it the excess – sensory state, vis-à-vis the archetypes, usually is still an remote land in a additional function of considering in comparison with what misconceptions might cheer throughout us when they are the nearly all pertinent webpage for you to the collective unconscious.
Yet Ronni Ahmed’s supplication of common myths & legends possesses a certain quirk for you to it – a dimension which seemingly discloses his / her subterranean grounds, intent as he is in interlinking numerous beliefs, fantastic tales, and tradition to formulate his or her own cocinero-deb’oeuvre. He exhaustively smoothies the flat coat through which these types of tales are usually inserted-graven as they are upon the mixer cloth because local computer memory producing communal coherency as his / her is a end of offering a device characteristic shift in the applying the mythos together with providing a deep disbelief in the electricity vested & privilege designated in order to the graphics.
He / she sets off an unfastening of the knots along with societal & emotional benefits-to be able to ribbing out and about completely new that means as well as for you to opportunity outside of this means. Ronni makes use of the mind upsurge the particular tales evoke & results of which directly into a aesthetic inundation that will serve to help perturb these individuals off their context. The effect has been an overpowering hundred by twelve feet canvas tent which usually is a meditation upon Noah’ersus Ark - the Spiritual story of the christ whoever large motorboat was the resort pertaining to a couple of every variety & a opportinity for them to ensure persistence of just about all sorts of earthly lifestyle after the revelatory Inundation.
 Done this specific massive labor, the designer remaps the cultural signifiers to be able to his or her cardiovascular’ohydrates information, working out worth to be able to the hitherto undervalued stories & situations, getting wholly text messages – equally overrated & underrated – straight into the degree playground of art work, which usually is a newly developed area of a conjuror that trips the duration & comprehensiveness of diachronic meter, deactivation linearity, defying meeting.
Inwards enmity in order to the submissive mind together with the pattern of acquiring the trouble to cart the sacramental cargo from a single geological era to help the some other or maybe in one knowledge domain to an alternative, comparatively unscathed when traveling, Ronni musters an imaginative frenzy comparable to misguided beliefs & folklores merely results in a lore utilizing the remains of some other lore.

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