Components of Painting

Passion

What makes artwork is the sensitivity and illustration of concentration. Every point in space has different passion, which can be demonstrated in artwork by black and white and all the gray shades between. In fact, art workers can clear structures by juxtaposing surfaces of different concentration; by utilizing just color (of the same concentration), one can only demonstrate representative sizes. Thus, the fundamental means of artwork are separate from ideological indications, such as geometrical signs, several points of view and organization (viewpoint), and signs. For example, a painter recognizes that a specific white wall has several strength at each point, due to shadows and manifestations from nearby objects, but ideally, a white wall is still a white wall in pitch darkness. In technical drawing, thickness of line is also ideal, differentiating standard outlines of an object within a perceptual frame different from the one used by artists.

Color and tone

Color and tone are the soul of art as pitch and rhythm are of music. Color is highly biased, but has observable emotional consequences, although these can separate from one culture to the next. Black is related with sorrow in the West, but in the East, white is. Some artists, theoreticians, writers and scientists, as well as Goethe, Kandinsky, and Newton, have written their own color theory.

artists deal practically with pigments, so "blue" for an art worker can be any of the blues: phtalocyan, Paris blue, indigo, cobalt, ultramarine, and so on. Psychological, figurative significances of color are not firmly speaking significations of art. Colors only add to the potential, originated context of meanings, and because of this the sensitivity of a artwork is highly subjective. The similarity with music is quite clear—sound in music (like "C") is equivalent to light in artwork, "shades" to dynamics, and coloration is to art as definite timbre of musical instruments to music—though these do not necessarily form a melody, but can add different contexts to it.

Non-traditional elements

Latest artists have spread the practice of artwork considerably to contain, for example, collage, which started with Cubism and is not artwork in the severe sense. Some recent art workers include several materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer. There is a growing community of artists who use computers to paint color onto a digital canvas utilizing programs such as Adobe Photoshop, Corel artists, and many others. These images can be printed onto old canvas if needed.

Rhythm

Rhythm is important in art as well as in music. If one classifies rhythm as "a pause integrated into a sequence", then there can be rhythm in arts. These pauses allow creative force to intervene and add new creations—form, melody, coloration. The distribution of form, or any kind of information is of crucial importance in the given work of art and it directly affects the visual value of that work. This is because the artistic value is functionality dependent, i.e. the freedom (of movement) of insight is perceived as beauty. Free flow of energy, in art as well as in other forms of "techne", directly contributes to the visual value.

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